By Coleman Hutchison
Apples and Ashes is equipped via style, with every one bankruptcy utilizing a unmarried textual content or a small set of texts to limn a broader element of accomplice literary tradition. Hutchison discusses an understudied and various archive of literary texts together with the literary feedback of Edgar Allan Poe; southern responses to Uncle Tom’s Cabin; the novels of Augusta Jane Evans; accomplice well known poetry; the de facto accomplice nationwide anthem, “Dixie”; and a number of other postwar southern memoirs. as well as emphasizing the centrality of slavery to the accomplice literary mind's eye, the ebook additionally considers a sequence of novel subject matters: the reprinting of eu novels within the accomplice South, together with Charles Dickens’s Great Expectations and Victor Hugo’s Les Misérables; accomplice propaganda in Europe; and postwar accomplice emigration to Latin America.
In discussing literary feedback, fiction, poetry, renowned tune, and memoir, Apples and Ashes reminds us of accomplice literature’s once-great expectancies. sooner than their defeat and abjection—before apples became to ashes of their mouths—many Confederates suggestion they have been within the strategy of making a country and a countrywide literature that will endure.
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Additional info for Apples and Ashes: Literature, Nationalism, and the Confederate States of America
The second, more verbose sentence underscores the potentially profound inﬂuence a shared literature could have on southern society. Indeed, in his discussion of “mental repose and luxurious indulgence,” Heath hazards calling southern literature a panacea. If the ﬁrst sentence cites southern types, the second constitutes those types as a community, granting them shared “public taste,” as well as “peculiar” habits and tendencies— what Benedict Anderson calls “the image of their communion” (6). As my reference to Anderson should make clear, I am suggesting that Heath’s editorial imagines a literary community, one with shared interests, traditions, and, crucially, a new domestic periodical.
Poe” (716). The apposition of these two notices, one calling for contributions of “Southern character and aspect,” the other defending the contribution of a southern “acquaintance,” suggests a ﬁerce regionalism at work on the editorial pages of the journal at the precise moment Poe began his on-site work with the Messenger. It was the December 1835 issue that announced resoundingly Poe’s arrival at the editorial table. That issue’s “greatly expanded review section” included twenty-ﬁve reviews (twenty-four of which are generally attributed to Poe) and stretched across twenty-seven two-column pages (Pollin and Ridgely 46–47).
As Terence Whalen notes, “Poe did not take over a foundering magazine; the Messenger was in fact doing quite well when Poe arrived in Richmond” (Edgar Allan Poe 68). Nonetheless, Poe’s contributions to the periodical were conspicuous, in every sense of that word. Poe had come to the attention of Thomas W. White through John Pendleton Kennedy, the plantation novelist and historical romanticist who served as one of Poe’s important early mentors. Poe, who was merely twenty-six years old when he arrived in Richmond in August 1835, succeeded Heath (August 1834–April 1835) and Edward Vernon Sparhawk (May 1835–July 1835), a minor poet and journalist from Maine, as de facto editor of the Messenger.