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Extra resources for A Rossetti Family Chronology
DGR spends part of the summer in Brighton. In the British Museum DGR reads RB’s anonymously published poem ‘Pauline, a Fragment of a Confession’ (1833) (Fredeman 1:45). DGR and WMR also discover Mary Boddington’s Poems (1839) (WA 182). Around this date WMR and DGR read Ebenezer Jones’s Studies of Sensation and Event (1843) (SR 471). ’, ‘For an Annunciation, Early German’, ‘Ave’ (originally entitled ‘Mater Pulchræ Delectionis’), ‘Epitaph for Keats’ and ‘To Mary in Summer’. He also makes ﬁrst versions of ‘My Sister’s Sleep’, ‘The Portrait’ (originally entitled ‘On Mary’s Portrait’) and ‘The Blessed Damsel’ (20 stanzas; PML manuscript) (WDGR xxv–vi, xxxiii, 661–3; BD ix–x).
WHH acquires a studio at 7 Cleveland Street, Fitzroy Square. DGR persuades him to share it, proposing to pay half the rent. The painter E. Rainford also becomes a sitting tenant. DGR inspires the sculptor Thomas Woolner to join their group (WHH 1:112). WHH draws up rules for a Literary Society. DGR proposes that CGR should join but CGR refuses even to allow DGR to read her poems for her, ‘under the impression that it would seem like display’ (Fredeman 1:64–7, 141). August CGR is in Brighton for over a month with, intermittently, GP, FMLR, MFR and WMR.
JEM recalls of DGR: ‘I liked him very much when we ﬁrst met, believing him to be (as perhaps he was) sincere in his desire to further our aims […] but I always liked his brother William much better. D. G. Rossetti, you must understand, was a queer fellow […] so dogmatic and so irritable when opposed’ (Millais 1:52). Towards the end of the year, DGR begins the practice of challenging WMR and CGR to bouts rimés (FLDGR 293; Marsh 82). DGR spends part of the summer in Brighton. In the British Museum DGR reads RB’s anonymously published poem ‘Pauline, a Fragment of a Confession’ (1833) (Fredeman 1:45).